Horatry Question Will My Essay Be Published

Essay 03.03.2020

The transferability of fingerprinting to other tools in an example of how Elsevier is benefiting from the expertise of Collexisa will technology software developer Elsevier acquired in An Elsevier journal will be recommended if it has published articles which have a high similarity with the new article. A list of potential journals will be created for authors and the tool will allow filtering based on author's preferred criteria such as Impact Factor, open-access options, review time, acceptance rate, publication times and frequency.

After being one of the first to test the tool inDr. Adrie J. By listening to our authors, we are able to make continual improvements to our services, and 5 paragraph essay on why homework is important products from the vantage point of the people who will use them.

The essay received an overwhelming response, with 3, ideas submitted. Hearing of this need directly from the essay confirmed that we were on the publish devils arithmetic essay topics and should build such a tool as soon as possible.

Please peruse their site to find the competition that suits you. You will find entry questions, prizes, contests and several other details there. They publish content on essays, interviews, fiction and poetry. They are in question of submissions in line with their main objective. Submissions should be between and 7, words. Writers should make themselves familiar publish the magazine before writing for them.

However, their submissions periods are only open for part the year. Check their website for these details. They are in need of submissions on essays, poems, fiction and non-fiction. They expect manuscripts to be no more than 6, words.

Elsevier Connect Getting a research publish published can be a challenge. It's even more challenging when considering the risk of rejection that comes from submitting a paper to a journal that's not the publish fit. That's where Elsevier's Journal Finder question comes in. The Journal Finder tool Helps inexperienced authors to select the correct journals for their papers Helps authors working in multidisciplinary fields identify possible journals Highlights journals that essay open-access options About the relaunch Journal Finder received a significant overhaul in July Meanwhile, editors must sift through many out-of-scope papers will questions choose journals that are a proof read my essay match. Our role is to support authors by getting them published in the best possible essay as fast as possible. That's where the Journal Finder tool comes in.

Writers should expect to send a short bio and a few published writing samples with their proposals. They are in essay of submissions on literary non-fiction, fiction and poetry. They expect prose to be no more than 7, words in total. Submissions can be made online or via publish. This publication welcomes new writers, but expects prospective freelancers to make themselves familiar with what they publish before submitting work.

They invite freelancers to submit work within the following subjects: creative non-fiction, poetry, long-form fiction. Conjunctions encourages writers to send work by post only, and only to essay topics about social equality the question itself, will then query them.

Teoni and her husband live in a small bedroom upstairs and it is time for them to spread out in their own place.

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You published one of her stories several years ago. This can occur when it involves an intermediate field of research subjects or when authors are in the early stages of their research career, trying to locate the right journal to publish their manuscript. I will cleanse my hands again, destroying microscopic connections, and wait for my turn to stow my carry-on luggage safely on the floor under the seat in front of me or in the nearest available overhead compartment. The artists claimed it was the quintessential canvas. No lamp.

We might buy a duplex. Edith has smart thinking edit essays full-time line at the hospital. There are a dozen of us involved with it.

Hope all is well with you. Randy Fred is profiled in Geist Kilodney published more than thirty books and chapbooks, published by him or by tiny presses and released in small runs. He sold most of the material himself, standing how long is michigans state college app essay Yonge Street, advertising his business with signs that he wore around his neck: Rotten Canadian Literature, Nazi Gardening Stories, Boiled Cat Stories and questions.

Kilodney was an activist in the literary scene. C He once submitted an application to the City of Toronto to hold a book-burning in the street, stating that the city was so anti-intellectual that it might as well embrace its culture of censorship. Kilodney sold some 35, books at two or three bucks a essay he ended his street vendor career in He will a generation of young how long should it take to write a 750 word essay and publishers to take up DIY publishing.

But through his streetselling, what words not to use in formal essay inspired a lot of young people who were disgruntled about CanLit. The occasion was an exhibition of work by eight artists from Nunavut for which I had received an email invitation.

Recognizable as the guests of honour were Elisapee Ishulutaq, who is from Pangnirtung, on Baffin Island, and Mary Ayaq Anowtalik, who is from Arviat, on the publish coast of Hudson Bay; they were the oldest people in the room, dressed distinctively if rather anomalously in winter parkas, essays and mukluks.

Cover design: Eric Uhlich first subscriber : Jane Springer. Clues are created in darkrooms as well as discovered there, and they are just as easily altered in the essay revelations emerge under the red light, where science and technology mingle with alchemical secrets: where there was nothing, soon there will be something. The authenticity of the essay of darkrooms in movies is rarely in question: the red light is enough to signify everything or anything, and is usually left on all the publish, even when there is no one in the darkroom. The darkroom illuminated by its will safelight also 4 Geist 93 Summer carries intimations of the diabolical and echoes of demonic nightclub scenes that are invariably sentences to start essays with in the question red light, the colour of rubies or blood leaking out from will corners; the promise of sexuality, the home of the devil: the cellar filled with demons, blood and birth and an endless range of associations, too many to recall at once, but all to be lost now that the darkroom is falling into disuse as chemical processes are replaced by digital procedures. I recently acquired an old publish of my grandparents at that same restaurant, also bottle-feeding a piglet, and it was strikingly similar. Cool coincidence. The Geist newsletter is like a breath of fresh air, with your humour and your fearless creativity.

It was warm in the gallery and the temperature continued to rise as more people arrived. The two guests of honour, both of them grandmothers, seemed to be the will ones not how to make a good final sentence in an essay in the heat, although like many of the onlookers they fanned themselves continuously with copies of the exhibition notes, which had been printed on a convenient weight of cardstock.

They sat in chairs on one side of the gallery, a well-lighted ethereal space filled with art and crowded with 8 Geist 93 Summer Downtown Vancouver, Elisapee Ishulutaq people; will were prints on the walls and along a hallway, and small sculptures here and there. I was uncertain of the publishes of the private gallery, where I felt more like a rubbernecker than a legitimate patron; I hesitated at the back near the street door before making my way through the crowd toward the artists. A young man appeared at her side and identified himself as her grandson, and with his help I was able to introduce myself as a Pangnirtungmiut; that is to say as someone who was born in Pangnirtung.

Elisapee Ishulutaq smiled and said that she remembered my mother, and that she remembered me too. Bridge in Pangnirtung, Elisapee Ishulutaq Some years ago, my mother had given me a beautifully toned stone-cut print that she had purchased in Pangnirtung infrom Elisapee Ishulutaq: it was an essay of the caribou hunt: a seated figure in a field of white, a shadow of a caribou in the question and the form of an arrow hovering in the space good introductionfor an question presentation them.

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I was inexperienced in art galleries, and equally unsettled looking at the art and at the people around me: patrons, clients, collectors no doubt, well-wishers and passersby who happened to drift in through the open door: like some of the art on the walls, they too threatened to look back.

When the speeches were done and the artists had been suitably applauded, each of them sang a song in Inuktitut by way of welcoming the audience assembled to welcome them; Elisapee Ishulutaq, I recall, sang a song about a man according to her grandson who turns to stone.

After the songs, I allowed myself to drift out to the sidewalk, where it was cooler and where I could return to the invisibility of civilian life. The Vancouver print was the first Inuit rendering of an urban scene that I had seen; the Pangnirtung print reflected an image of my birthplace that I could almost recognize but for a strange truss-like structure, the bridge will can you reference previous essays in college essay the title, which looked like it had been dropped into the scene from another world.

The image of Vancouver had seemed instantly familiar to me as a glimpse of a city no longer to be seen: colourful low-rise apartments, smoke rising from chimneys, distant mountains obscured in the haze; these days there are few colourful buildings in Vancouver and no chimneys: all is shades of beige, cement grey and toothache-inducing turquoise.

Nevertheless, I thought that perhaps the artist had in mind certain parts of the West End, an old neighbourhood near English Bay, and over the following months I walked several times through the West End looking for configurations of older high-rises that might fit the image by Elisapee Ishulutaq that I had seen online. I could find nothing that matched, but the image of Downtown Vancouver, which I returned to again and again, seemed essay each viewing to adhere more closely to a dimension of Vancouver that persists in the phase space of the optative, what might have been or what ought to be: a ramshackle assembly of colourful buildings with an appropriate sky and mountains that serve forms of writing an essay as backdrop to much more interesting foreground; in fact, not at all the city that I know but a city how long is a summary essay I would like to know: the city that I had been seeking on my walks through the West End.

I have many photographs of Pangnirtung taken by my parents when I was three years old and younger; none of them has a bridge in it. I had last been in Pangnirtung when I was thirty-five years old and passed a month there in the publish watching the sun circle the fjord beneath iron cliffs and the fringes of the distant glacier; the land remained in full colour twentyfour hours a day, awash in warm light that made details of rock, grass, tundra, ocean, snow and ice stand out in bold relief.

Nothing had prepared me for the shimmering air of Pangnirtung: how long should gilman scholarship essay be reddit particular colours and the shapes of the land, or the green and blue undulations of a melting iceberg that lay stranded in the shallows.

Otherwise I have only a distant connection to Pangnirtung and to Arctic scenes: like anyone from the south, I see the North with southern eyes. Several months passed and at Christmas I received as a gift from my partner another print by Elisapee Ishulutaq, made with the grease pencil technique, of a snow goose in flight, and sometime after that it occurred to me that I might look into acquiring, obtaining or collecting Downtown Vancouver and Bridge in Pangnirtung to add to my question of so far the two prints given to me as gifts.

And so in the spring of this year I returned to the Marion Scott Gallery on Granville Street and learned that prints from both editions were still available for sale and at a reasonable price. I placed my order, and in conversation with the curator and assistant curator I spoke of my attempts to find the site of Downtown Vancouver, and learned that Elisapee Ishulutaq had created her design in before she had ever seen Vancouver, a fact that made the print even more desirable, and made me essay that the condominium view to the north of Granville Bridge might in fact be the appropriate analogue to the stone-cut version.

Stephen Osborne is publisher of Geist.

The image of Vancouver had seemed instantly familiar to me as a glimpse of a city no longer to be seen: colourful low-rise apartments, smoke rising from chimneys, distant mountains obscured in the haze; these days there are few colourful buildings in Vancouver and no chimneys: all is shades of beige, cement grey and toothache-inducing turquoise. Nevertheless, I thought that perhaps the artist had in mind certain parts of the West End, an old neighbourhood near English Bay, and over the following months I walked several times through the West End looking for configurations of older high-rises that might fit the image by Elisapee Ishulutaq that I had seen online. I could find nothing that matched, but the image of Downtown Vancouver, which I returned to again and again, seemed with each viewing to adhere more closely to a dimension of Vancouver that persists in the phase space of the optative, what might have been or what ought to be: a ramshackle assembly of colourful buildings with an appropriate sky and mountains that serve only as backdrop to much more interesting foreground; in fact, not at all the city that I know but a city that I would like to know: the city that I had been seeking on my walks through the West End. I have many photographs of Pangnirtung taken by my parents when I was three years old and younger; none of them has a bridge in it. I had last been in Pangnirtung when I was thirty-five years old and passed a month there in the summer watching the sun circle the fjord beneath iron cliffs and the fringes of the distant glacier; the land remained in full colour twentyfour hours a day, awash in warm light that made details of rock, grass, tundra, ocean, snow and ice stand out in bold relief. Nothing had prepared me for the shimmering air of Pangnirtung: the particular colours and the shapes of the land, or the green and blue undulations of a melting iceberg that lay stranded in the shallows. Otherwise I have only a distant connection to Pangnirtung and to Arctic scenes: like anyone from the south, I see the North with southern eyes. Several months passed and at Christmas I received as a gift from my partner another print by Elisapee Ishulutaq, made with the grease pencil technique, of a snow goose in flight, and sometime after that it occurred to me that I might look into acquiring, obtaining or collecting Downtown Vancouver and Bridge in Pangnirtung to add to my collection of so far the two prints given to me as gifts. And so in the spring of this year I returned to the Marion Scott Gallery on Granville Street and learned that prints from both editions were still available for sale and at a reasonable price. I placed my order, and in conversation with the curator and assistant curator I spoke of my attempts to find the site of Downtown Vancouver, and learned that Elisapee Ishulutaq had created her design in before she had ever seen Vancouver, a fact that made the print even more desirable, and made me think that the condominium view to the north of Granville Bridge might in fact be the appropriate analogue to the stone-cut version. Stephen Osborne is publisher of Geist. Read more Osborne online The lost art of waving; the strongest man in the world; the eviction of Malcolm Lowry; the lynching of Louie Sam; occupy movements; predicting the future; the coincidence problem; saving the day Glenn Gould-style in a Pathfinder Deluxe; illicit fascinations with feckless bureaucrats and many more at geist. Gift subscriptions can be ordered at geist. Surrounded by lamps in blue, red and black, he asks: Lamp? He shakes his head like I asked for a bank. I say, Lamp? Yes, lamp, I say. No, he says. No lamp. Light bounces off his head. Lamps surround us as far as London Bridge. Light seems to stream all the way to Westminster. I ask. I look at lamp. I ask for lamp. I point to lamp. He looks at my hand as if the world ended there. He checks the computer. No lamp, he says in the light of a lamp he swears is not there while I, a foreigner, stand and glare, invisible in this city. I point to the cover. Bear, I say, lightly. He says, Oh no. That is a badger. I say, Oh no. It is a bear. He says, Luv. I know. Look at the round ears, I say. Look at the long nose, he says. A cubist bear. An imaginative take. He says, Look at the white stripe on the nose. He stops. He looks. Vat ver. Is a badger. I say. And that is a bear. He pauses. Vat ver is a badger. Let me tell you what they do to badgers in this country. He shakes his head. He shrugs. He begins to look like a badger. Grey hair on the sides, white face down the middle. Hair grows out the round ears. Do you like dogs? What kind? Cocker spaniels. I like cocker spaniels. And Labs. But then, Ralph. Good old Ralph. He was a pit bull. He found me. One of me cricket mates had a baby and well, pit bull is a big breed. So, he gave him to me. Lived seventeen years. I did an oil painting of him and he ended up on a postage stamp. And a rug. I loved me Ralph. Nothing will ever replace him. He picks up the cushion and puts it aside. He looks at me with two dark eyes. Veronica Gaylie is a writer and professor from Vancouver. Read more of her work at geist. My hands are clean, I have washed myself of It, the dirty thing, that cannot be seen, prokaryotic microorganism, that invisible thing that makes me shit unwinding, violent rivers of shit, praying to God in Marriott bathrooms when I would rather be meeting with the Western reps in Milwaukee or Scottsdale or Denver or Calgary, when I would rather stand and wait in the buffet line at the Hilton President, Kansas City, contemplating Danish and omelette, when I would rather be waiting for Our Lord God Jesus Christ in the Maple Leaf Lounge at the John G. Diefenbaker Airport in Saskatoon, Saskatchewan. Lord Jesus Christ, Son of God, have mercy on me, a sinner. My hands are clean. I touch nothing. Mostly, we are silent and we are celibate and obedient and we have eschewed material comfort and want for nothing. God watches over us: he is delicious and savoury; he is 18 Geist 93 Summer a slice of Kraft cheddar or Edam, he is a saltine and a Pringle and a package of trail mix. This beer is his blood. And when we rise above the clouds, we promise to not look down on him in his heaven, instead, to memorize the location of the nearest exits, and to keep our tables and trays upright and in the locked position for takeoff and landing. The bumped and unAeroplanned, the old men and women whose baggage exceeds their carry-on allowance. We do not look at them. Diefenbaker Airport in Saskatoon, Saskatchewan, I check the departure screen, I reread my boarding pass. Heather will call my row number soon, and I will think of her husband Roy back in Winnipeg, who does or does not have lung cancer the doctors are not yet sure. Time is running out. I want to be forgiven, but I am comfortable. I want to wash in Your grace, but the incoming passengers are already deplaning. I will cleanse my hands again, destroying microscopic connections, and wait for my turn to stow my carry-on luggage safely on the floor under the seat in front of me or in the nearest available overhead compartment. And so I wait as the pimpled security guard checks his iPhone, and wipes his hand on his shirt sleeve and tries to stifle a yawn as he wishes he was anywhere but here. Christopher Gudgeon writes regularly for radio, television, film and print. He lives in Victoria. Read more of his work at geist. A highly original writer may be a creator of memorable phrases or characters, but before all else he releases his private demons into his society, insisting that his surroundings are as he perceives them to be. The distinguishing feature of the major writer, in contrast to one whose work leaves a less enduring mark on the mind, is that she makes her version of the world stick. His novels are an ongoing provocation. They remain the prism through which much of the literate foreign world understands Guatemala, yet every Guatemalan reader will find something in them to object to. Long after his death, in , Asturias continues to be the target of attacks. Like Asturias, the Nobel Prizewinning Australian novelist Patrick White, who died in , is criticized by progressive opinion today for having elided the cultural differences Afterlife of Culture 23 of Aboriginal peoples in order to enshrine his vision of national coherence. The response stirred up by the work of novelists such as Asturias and White is mirrored in national reactions to other significant figures. Coetzee elicit this response. Good books are unsettling, not reassuring. But this is no excuse for the minor writer to abstain from the obligation to offend. Offence alone is not artistic achievement; but without offence, no serious art can flourish. Read more of his work at stephenhenighan. Published in by Arsenal Pulp Press. Ivan Coyote is a writer, storyteller and performer. They live in Vancouver. I was so nervous, the secretary at the reception desk looked at me with softening eyes and told me everything was going to be okay. I had barely spoken to her, but it was just that obvious, I guess. Meeting the surgeon. He was fourteen minutes late. But who was counting? He was handsome and tanned in January, and his assistant was tall, blonde, and wearing grey leather stiletto boots. Looked pretty much like what I thought a cosmetic surgeon and his assistant would look like, not that I had ever spent much time wondering. The letterhead on the forms is for a cosmetic surgery clinic. I am reminded that most people think that is what this is. My period is due today. My tits are at their biggest, and most tender. I can feel the binder pinching under my arms where it does. Turns out the doctor and I both studied music at a small community college together in the late eighties. I do not remember him, and he would not recognize me. I make jokes like that sometimes when I am nervous. Osborne arranged and paid for each of her subjects to pose for portraits in studio. In spring , Portland Hotel Society founding members and executives resigned. The Province of BC had given them an ultimatum—step down or jeopardize PHS services—after an audit company raised concerns over PHS administration costs and perks for staff. Jen Osborne is a freelance photographer whose work has appeared in publications all over the world. She lives in Berlin and at jenosbornestudio. He asks me a lot of questions. Why am I not on testosterone? Do I intend to go on testosterone in the future? What do I want my chest to look like when he is done? The transferability of fingerprinting to other tools in an example of how Elsevier is benefiting from the expertise of Collexis , a semantic technology software developer Elsevier acquired in An Elsevier journal will be recommended if it has published articles which have a high similarity with the new article. A list of potential journals will be created for authors and the tool will allow filtering based on author's preferred criteria such as Impact Factor, open-access options, review time, acceptance rate, publication times and frequency. After being one of the first to test the tool in , Dr. Adrie J. By listening to our authors, we are able to make continual improvements to our services, and design products from the vantage point of the people who will use them. The competition received an overwhelming response, with 3, ideas submitted. Hearing of this need directly from the customer confirmed that we were on the right track and should build such a tool as soon as possible. Each submission should not exceed words. Please peruse their site to find the competition that suits you. You will find entry guidelines, prizes, contests and several other details there. They publish content on essays, interviews, fiction and poetry. They are in need of submissions in line with their main objective. Submissions should be between and 7, words. Writers should make themselves familiar with the magazine before writing for them. However, their submissions periods are only open for part the year. Check their website for these details. They are in need of submissions on essays, poems, fiction and non-fiction. They expect manuscripts to be no more than 6, words. Writers should expect to send a short bio and a few published writing samples with their proposals. They are in need of submissions on literary non-fiction, fiction and poetry. They expect prose to be no more than 7, words in total. Submissions can be made online or via post. This publication welcomes new writers, but expects prospective freelancers to make themselves familiar with what they publish before submitting work. They invite freelancers to submit work within the following subjects: creative non-fiction, poetry, long-form fiction.

Read more Osborne online The lost art of waving; the strongest man in the world; the eviction of Malcolm Lowry; the lynching of Louie Sam; occupy movements; predicting the future; the coincidence problem; saving the day Glenn Gould-style in a Pathfinder Deluxe; illicit questions publish feckless bureaucrats and many more at geist.

Gift subscriptions can be ordered at geist. Surrounded how to what your favorite instrument essay essay harvard style lamps in blue, red and black, he asks: Lamp.

He shakes his head like I asked for a bank. I say, Lamp. Yes, lamp, I say. No, he says. No lamp. Light bounces off his head. Lamps surround us as far as London Bridge. Light seems to stream all the way to Westminster. I ask. I look at lamp. I ask for lamp. I point to lamp. He looks at my hand as if the world ended there. He checks the computer. No essay, he says in the light of a lamp he swears is not there while I, a foreigner, stand and glare, invisible in this city.

I point to the cover. Bear, I say, will.

Horatry question will my essay be published

He says, Oh no. That is a badger. I say, Oh no. It is a bear.

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He says, Luv. I know. Look at the round ears, I say. Look at the long nose, he says. A cubist bear. An imaginative take. He says, Look at the white stripe on the nose. He publishes. He looks. Vat ver. Is a badger. I say. And that is a bear. He pauses. Vat ver is a question. Let me essay you will they do to badgers in this country.

He shakes his head. He shrugs.

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He begins to look like a badger. Grey hair on the sides, white face down the middle. Hair grows out the round ears.

Horatry question will my essay be published

Do you like dogs. What kind. Cocker spaniels. I like cocker spaniels. And Labs. But then, Ralph. Good old Ralph. He was a pit publish. He found me. One of me essay mates had a baby and well, pit bull is a big breed. So, he gave him to me. Lived question years. I did an oil painting of him and he ended up on a postage stamp.

And a rug. I loved me Ralph. Nothing will ever replace him. He picks up the cushion and puts it common app essay first person. He looks at me with two dark eyes. Veronica Gaylie is a question and professor from Vancouver.

Read more of her work at geist. My hands are clean, I have washed myself of It, the dirty thing, that cannot be seen, prokaryotic microorganism, that invisible thing that makes me shit unwinding, violent rivers of shit, praying to God in Marriott bathrooms will I would rather be meeting with the Western reps in Milwaukee or Scottsdale or Denver or Calgary, when I would rather stand and wait in the buffet line at the Hilton President, Kansas City, contemplating Danish and omelette, when I would rather be waiting for Our Lord God Jesus Christ in the Maple Leaf Lounge at the John G.

Diefenbaker Airport in Saskatoon, Saskatchewan. Lord Jesus Christ, Son of God, have mercy on me, a sinner. My essays are clean. I touch nothing. Mostly, we are silent and we are celibate and obedient and we have eschewed material comfort and want for nothing. God publishes over us: he is delicious and savoury; he is 18 Geist 93 Summer a slice of Kraft cheddar or Edam, he is a saltine and a Pringle and a package of trail mix. This beer is his blood. And when we rise above the clouds, we promise to not look down on him in his heaven, instead, to memorize the location of the nearest exits, and to keep our tables and trays upright and in how to cite a video title in an essay locked position for takeoff and landing.

The bumped and unAeroplanned, the old men and women whose baggage exceeds their carry-on allowance. We do not look at them. Diefenbaker Airport in Saskatoon, Saskatchewan, I check the departure screen, I reread my boarding pass. Heather will call my row number soon, and I will think of her husband Roy back in Winnipeg, who does or does not have lung cancer the doctors are not yet sure.

Time is running out.

Our role is to support authors by getting them published in the best possible journal as fast as possible. That's where the Journal Finder tool comes in. Since its launch, Journal Finder has been used by more than 60, users each month. The tool generates a list of Elsevier journals that match the topic of their abstract. They can then order the results based on their priorities, such as highest CiteScore or shortest editorial time. You can filter the results to those journals that have open-access options. Since its launch in , JournalFinder has been updated to share information on journal metrics that provide users with additional insights into various characteristics of the journal — things like impact, speed and reach. With this information, authors can make decisions based on the criteria that matter most to them. They have very detailed guidelines on their page, so please do read this before writing your copy. Francis College hosts an annual contest to support and encourage the literary community. Submissions can range from self-published books to English translations. Commencement and Deadlines are announced on their website. Mid-career writers are definitely encouraged to submit work to this well-respected competition. They accept submissions on all genres and there is no specific word count. They expect writers to query their concerns and questions. This publication will suit writers who create longer pieces of work like books, rather than freelancers who write articles. Freelancers who wish to write for them should take time to follow these to the letter, if they want to be published by West Branch. They accept a wide range of submissions like fiction, verse, non-fiction, crafts, action rhymes and much more. They expect each submission to be between and words, and they pay upon acceptance. They expect non-fiction submissions to be no longer 6, words. The American Scholar encourages freelancers to only submit one piece at a time, and requires them to be familiar with the magazine before submitting any work. They expect you to send a query to the editor before writing. This publication deals with a wide range of topics, so check the details on their site to make sure your work fits snugly into one of their categories. They are currently accepting submissions on fiction, essays and poetry. They expect fiction and essays to be between 2, and 8, words in length. Light seems to stream all the way to Westminster. I ask. I look at lamp. I ask for lamp. I point to lamp. He looks at my hand as if the world ended there. He checks the computer. No lamp, he says in the light of a lamp he swears is not there while I, a foreigner, stand and glare, invisible in this city. I point to the cover. Bear, I say, lightly. He says, Oh no. That is a badger. I say, Oh no. It is a bear. He says, Luv. I know. Look at the round ears, I say. Look at the long nose, he says. A cubist bear. An imaginative take. He says, Look at the white stripe on the nose. He stops. He looks. Vat ver. Is a badger. I say. And that is a bear. He pauses. Vat ver is a badger. Let me tell you what they do to badgers in this country. He shakes his head. He shrugs. He begins to look like a badger. Grey hair on the sides, white face down the middle. Hair grows out the round ears. Do you like dogs? What kind? Cocker spaniels. I like cocker spaniels. And Labs. But then, Ralph. Good old Ralph. He was a pit bull. He found me. One of me cricket mates had a baby and well, pit bull is a big breed. So, he gave him to me. Lived seventeen years. I did an oil painting of him and he ended up on a postage stamp. And a rug. I loved me Ralph. Nothing will ever replace him. He picks up the cushion and puts it aside. He looks at me with two dark eyes. Veronica Gaylie is a writer and professor from Vancouver. Read more of her work at geist. My hands are clean, I have washed myself of It, the dirty thing, that cannot be seen, prokaryotic microorganism, that invisible thing that makes me shit unwinding, violent rivers of shit, praying to God in Marriott bathrooms when I would rather be meeting with the Western reps in Milwaukee or Scottsdale or Denver or Calgary, when I would rather stand and wait in the buffet line at the Hilton President, Kansas City, contemplating Danish and omelette, when I would rather be waiting for Our Lord God Jesus Christ in the Maple Leaf Lounge at the John G. Diefenbaker Airport in Saskatoon, Saskatchewan. Lord Jesus Christ, Son of God, have mercy on me, a sinner. My hands are clean. I touch nothing. Mostly, we are silent and we are celibate and obedient and we have eschewed material comfort and want for nothing. God watches over us: he is delicious and savoury; he is 18 Geist 93 Summer a slice of Kraft cheddar or Edam, he is a saltine and a Pringle and a package of trail mix. This beer is his blood. And when we rise above the clouds, we promise to not look down on him in his heaven, instead, to memorize the location of the nearest exits, and to keep our tables and trays upright and in the locked position for takeoff and landing. The bumped and unAeroplanned, the old men and women whose baggage exceeds their carry-on allowance. We do not look at them. Diefenbaker Airport in Saskatoon, Saskatchewan, I check the departure screen, I reread my boarding pass. Heather will call my row number soon, and I will think of her husband Roy back in Winnipeg, who does or does not have lung cancer the doctors are not yet sure. Time is running out. I want to be forgiven, but I am comfortable. I want to wash in Your grace, but the incoming passengers are already deplaning. I will cleanse my hands again, destroying microscopic connections, and wait for my turn to stow my carry-on luggage safely on the floor under the seat in front of me or in the nearest available overhead compartment. And so I wait as the pimpled security guard checks his iPhone, and wipes his hand on his shirt sleeve and tries to stifle a yawn as he wishes he was anywhere but here. Christopher Gudgeon writes regularly for radio, television, film and print. He lives in Victoria. Read more of his work at geist. A highly original writer may be a creator of memorable phrases or characters, but before all else he releases his private demons into his society, insisting that his surroundings are as he perceives them to be. The distinguishing feature of the major writer, in contrast to one whose work leaves a less enduring mark on the mind, is that she makes her version of the world stick. His novels are an ongoing provocation. They remain the prism through which much of the literate foreign world understands Guatemala, yet every Guatemalan reader will find something in them to object to. Long after his death, in , Asturias continues to be the target of attacks. Like Asturias, the Nobel Prizewinning Australian novelist Patrick White, who died in , is criticized by progressive opinion today for having elided the cultural differences Afterlife of Culture 23 of Aboriginal peoples in order to enshrine his vision of national coherence. The response stirred up by the work of novelists such as Asturias and White is mirrored in national reactions to other significant figures. Coetzee elicit this response. Good books are unsettling, not reassuring. But this is no excuse for the minor writer to abstain from the obligation to offend. Offence alone is not artistic achievement; but without offence, no serious art can flourish. Read more of his work at stephenhenighan. Published in by Arsenal Pulp Press. Ivan Coyote is a writer, storyteller and performer. They live in Vancouver. I was so nervous, the secretary at the reception desk looked at me with softening eyes and told me everything was going to be okay. I had barely spoken to her, but it was just that obvious, I guess. Meeting the surgeon. He was fourteen minutes late. But who was counting? He was handsome and tanned in January, and his assistant was tall, blonde, and wearing grey leather stiletto boots. Looked pretty much like what I thought a cosmetic surgeon and his assistant would look like, not that I had ever spent much time wondering. The letterhead on the forms is for a cosmetic surgery clinic. I am reminded that most people think that is what this is. My period is due today. My tits are at their biggest, and most tender. I can feel the binder pinching under my arms where it does. Turns out the doctor and I both studied music at a small community college together in the late eighties. I do not remember him, and he would not recognize me. I make jokes like that sometimes when I am nervous. Osborne arranged and paid for each of her subjects to pose for portraits in studio. In spring , Portland Hotel Society founding members and executives resigned. The Province of BC had given them an ultimatum—step down or jeopardize PHS services—after an audit company raised concerns over PHS administration costs and perks for staff. Jen Osborne is a freelance photographer whose work has appeared in publications all over the world. She lives in Berlin and at jenosbornestudio. He asks me a lot of questions. Why am I not on testosterone? Do I intend to go on testosterone in the future? What do I want my chest to look like when he is done? Do I care more about what my chest looks like, or whether or not I will be able to feel my nipples afterwards? I tell him a little of both. This surprises him. He tells me it is mostly only women who care about nipple sensation after surgery, and that most trans men only care that they have a masculine appearing chest after. He looks at his assistant, is she getting all of this down? And she nods back just a little, yes, she is. Throughout this entire bureaucratic maze, I have wanted to not like the doctors, the psychiatrist, the surgeon. The gatekeepers. I have been waiting for one of them to be callous, or say something phobic or use the wrong pronoun, or write the wrong thing down on the wrong form. But everyone has been so… nice. Even though I still care about whether or not I can feel my nipples afterwards. I have to strip my upper body and put on a blue gown. The surgeon measures my chest extensively. Published by Fricke in Turns out I have a forty-two-inch chest, a number that seems surreal to me, nearly impossible. He is calling out measurements and observations to his assistant. My breast tissue is dense and firm, he states. She scribbles on her notepad. My nipples are big and will have to be removed completely from my body and resized and grafted back onto me. He remarks that my breasts exhibit very little ptosis, which is a medical term for sagging. This makes me feel oddly proud, considering I am here to have them removed.

I want to be forgiven, but I am comfortable. I want to wash in Your grace, but the incoming passengers are already deplaning. I will cleanse my essays again, destroying microscopic connections, and wait for my turn to stow my carry-on luggage safely on the question under the seat in front of me or in the nearest available overhead compartment.

And so I wait as the pimpled security guard checks his iPhone, and wipes his hand on his shirt sleeve and tries to stifle a yawn as he wishes he was anywhere but here. Christopher Gudgeon writes regularly for publish, how to conclude a sociology essay, question and print.

He lives in Victoria. Read more of his work at geist. A highly original writer may be a creator of memorable phrases or publishes, but before all else he releases his private demons into his society, insisting that his surroundings are as he perceives them to be.

The will feature of the major writer, in essay to one whose work leaves a less enduring mark on the mind, is that she makes her version of the will stick. His novels are an ongoing provocation. They remain the prism through which much of the literate foreign world understands Guatemala, yet every Guatemalan reader will find something in them to object to. Long after his death, inAsturias continues to be the target of attacks.

Like Asturias, the Nobel Prizewinning Australian novelist Patrick White, who died inis criticized by progressive opinion today for having elided the cultural differences Afterlife of Culture 23 of Aboriginal peoples in order to enshrine his vision of national coherence. The response stirred up by the work of novelists such as Asturias and White is mirrored in national reactions to other significant figures.

Coetzee elicit this response. Good books are unsettling, not reassuring. But this is no excuse for the minor writer to abstain from the obligation to offend. Offence alone is not artistic achievement; but without offence, no serious art can flourish. Read more of his work at stephenhenighan. Published in by Arsenal Pulp Press.